The Rothko Effect

One of the most prominent and famous features of Tate Modern in London is the Rothko Room. This room, designed and arranged by the beloved painter Mark Rothko (1903-1970) himself, is a place for contemplation and utter balance. The colours of the paintings and the dimmed effect of the lighting creates a perfect combination for a moment on your own, escaping from the bustling environment of the rest of the museum. Rothko’s reds, pinks and purples radiate a calmness and tranquillity which make you shiver and relish simultaneously.

September 26, Tate opens an exhibition dedicated to these and others of Rothko's iconic works. It is the first larger overview of his works in the UK since 20 years. The exhibition expands from the well-known tints of the Rothko room into ranges of brown, black and grey. The wide range of colours and the amazing effect Rothko created by his particular balancing of them, conveys his masterly skill and style. It moreover shows how Rothko's style is not a ready-made formula, but how the rectangular shapes are adjusted to the used colours and the effects these adjustments create. Finally, the combination of all these works and colours shows that the enjoyable shivers do not just come from the warmth of the colours in the Rothko Room. The same effect is reached with icy greys and blues, which make Rothko the master of colour.

To see so many works together must be a thrill for the real Rothko lover. But also for the novice this exhibition will be a must-see. I feel it will be an almost perfect opportunity to experience the world of modern art and the powerful character of expressive colour use. No theoretical knowledge is necessary, just go in and let the colours guide your senses. I say almost perfect, because the exhibition is expected to be a huge blockbuster. While the Rothko Room works the best when almost empty, let’s see if the works in the exhibition are powerful enough to conquer the crowds.